One of the activities that fills my time while we live under this "Stay at Home" order is developing film that I've shot on my walks around the neighborhood. I've been shooting black & white film, because I only have chemistry for that at present. I do have some color chemistry coming though, so I'm going to start shooting some color as well.

There is something satisfying about getting my process down for developing film. These days when so much seems out of our control, it's comforting to perform a process that I do have some control over. I've gotten to the point where I'm getting consistently good results. I've settled on one developer–Kodak HC-110. I love the tones and contrast I get with this developer. The other thing I appreciate about HC-110 is its long shelf life.

I'm using a hybrid analog/digital workflow, as are the vast majority of photographers shooting film these days. Up through developing the film, the process is analog. After that it becomes a digital process. I scan the negatives and import the scanned files into Lightroom for final image adjustments. I don't do a lot of editing in Lightroom, mainly tweaks to contrast and the tone curve. I also clean up the odd dust spot. I'd love to have a darkroom for printing, but that's something for another day.

Living under a stay at home order, my photography is limited to what I see on my nearly daily walks and what catches my eye around the house. I think this has been a good creative exercise...forcing me to find interesting images in the mundane. I guess when your world gets smaller, you notice more things in that world, such as an outlet box that looks like an electrical inspectors nightmare, or groceries delivered to the porch, or an arrangement in a planter, among other things.

Soon I'll write about another pursuit that's been filling my days, making sourdough bread. I need to make some good photos of that process and then I'll share them here.

I'm sure it won't surprise you that I have a few opinions about what cameras are best to start out with when getting into film photography. Some of the cameras that I recommend are on other's lists, but other commonly mentioned cameras are not on my list. Read on and you'll get my take on best cameras for getting started in film.

First, I'm going to step out on a limb and state that the best camera type for starting out in film is a 35mm SLR (single lens reflex). Here are my reasons for making that claim.

SLR Shooting Experience
With an SLR, when you look through the viewfinder you see what the camera sees. The image coming through the lens is reflected up to the viewfinder using a mirror and prism. You are seeing the image as it will be captured on film, not a rough approximation of it. An SLR viewfinder typically shows you 93% - 100% of the total image. I am a stickler for doing edge patrol on my frames, so an accurate representation in the viewfinder is extremely important to me.

Affordability
The best values going on the used film camera market are 35mm SLRs. Even though film camera prices have increased with the resurgence of film photography, it's still easy to find good condition 35mm SLRs for under $250. Conversely, the prices on point & shoot and rangefinder 35mm cameras have increased to crazy levels.

Portability
35mm SLRs are among the most portable cameras available. Some of the more modern 35mm SLRs are beautifully compact, such as the Olympus OM-2n. The Nikon FE2 is another great example. Both these cameras are extremely well built, though, so don't confuse compact with cheaply constructed. 

Availability
In their day, 35mm SLRs were super popular, and for the most part, they were extremely well built, so a good number of them are still working and available today. For example, the Nikkormat FT2, which was a brand of Nikon, is available for under $100 in good condition. If you're not completely comfortable with your knowledge in making a purchase, I'd turn KEH, a reputable online retailer of used cameras. If their rating says a camera is in excellent condition, you can count on it. You can also look on eBay, but you have to be more careful there. I've actually found prices to be better from KEH than eBay. Another good buying option is your local camera store. Most have an inventory of used film cameras. I bought my Nikon F3 from my local camera store, National Camera Exchange.

My camera recommendations are based on actual shooting experience. If I haven't shot a camera, I won't recommend it. I'm targeting my recommendations at the inexperienced film shooter. Here are my criteria for recommending cameras from among those I've shot.

• Manual focus
• Has a working light meter
• Runs on batteries that are readily available
• Manual exposure metering is easily done looking through the viewfinder
• Aperture priority exposure metering mode is a big plus
• Hasn't gotten priced out of range (e.g. Nikon FM/FM2)

My Camera Recommendations

1. Cameras with aperture-preferred metering
   1. Nikon FE/FE2
   2. Nikon F3 (if you can find the HP version, I'd get it...the viewfinder is excellent)
   3. Olympus OM-2/2n (I've had some issues buying these on eBay, so I'd stick with KEH or a local retailer)
2. Manual metering cameras
   1. Nikkormat FT2 (I don't recommend the earlier models, such as the FTN, since they don't run on currently available batteries)
   2. Nikon F2 (there are several variants of F2 cameras...I think the best value is the F2s)
   3. Pentax K1000

I fully admit that my list is not exhaustive, and yes, there certainly is a Nikon tilt to my recommendations, since that is the brand I have the most experience with. There are a lot of fine brands I haven't shot, including Minolta and many other Canon and Pentax film cameras. I'd rather stick with my own personal experience when making a recommendation.

If you were to ask me to recommend one camera from all the 35mm SLRs I've shot, I'd go with the Nikon FE2, with the Olympus OM-2n a close runner up. If you're looking for the most affordable option I'd go for the Nikkormat FT2. Those can typically be had for less than $100.

Lenses
A camera isn't any use without a lens. I recommend for starters you get a 50mm fixed focal length lens from the camera manufacturer. Generally, these are going to be f/2 or faster lenses. The 50mm lens was the standard kit lens in the day, so there are a ton of them available at reasonable prices. Once you've got the standard lens covered, then you can start expanding your collection. But for starters, it's hard to go wrong with a good old 50mm prime lens. If you're buying a Nikon film SLR, you need to be sure that the lens you're considering is compatible with the camera body.

Conclusion
If you have any questions or want feedback on a potential camera purchase, please submit a comment. I'll do my best to get back to you.